In the future, with the advancement of technology, I believe each of us will have a digital avatar. This avatar, reflecting our characteristics, will be constructed from data collected from our physical bodies. Building on this idea, I used AI to generate new images that resemble, but are not identical to, my physical appearance by using photos of parts of my body. I then used these newly generated images as a texture, filling the entire screen via video, transforming the screen into an extension of my digital avatar and exploring the broader possibilities of future digital embodiments.

Screenings:
2024.08 – Nakano ZERO Media Arts Program 2024
2025.02 – 13th International Science Film Festival Dome Festa
2025.02 – Immersive Dark Night Vol.3

Music: stabilizer / V.A.
Special Thanks: Oishi Hiroaki; Yamasaki Renki

Create a grid of square planes, then animate them through scaling and rotation. By applying materials to add color, the result can be used as a UV coordinate map.

After duplicating the UVs, apply downward motion using a Transform operation, then convert the result into a polar coordinate-based pattern. The AI-generated skin texture image is then processed and mapped onto the animated UVs using a Remap node, resulting in a dynamic visual effect.

MetaSound Project is an online concert project. During my internship at PuZaoSi Studio, I was responsible for creating some of the early demos for this project. Except for the collection of scene assets, I completed the rest using Unreal Engine.

During my internship at PuZaoSi Studio, I participated in the VJ visual production project for singer Wang Heye’s concert. In this project, I was responsible for creating the VJ visuals for three songs, primarily using Unreal Engine and After Effects.

Some scenes constructed using Unreal Engine. The assets include some from MegaScan and some that I created myself.

Reconstructing the cyclical evolution of blood, this work attempts to interpret the connections and cycles of bloodlines through CG imagery.